Petter Reinholdtsen

Entries from July 2015.

16th July 2015

I'm still working on the Norwegian version of the Free Culture book by Lawrence Lessig, and is now working on the final typesetting and layout. One of the features I want to get the structure similar to the original book is to typeset the footnotes as endnotes in the notes chapter. Based on the feedback from the Debian maintainer and the dblatex developer, I came up with this recipe I would like to share with you. The proposal was to create a new LaTeX class file and add the LaTeX code there, but this is not always practical, when I want to be able to replace the class using a make file variable. So my proposal misuses the latex.begindocument XSL parameter value, to get a small fragment into the correct location in the generated LaTeX File.

First, decide where in the DocBook document to place the endnotes, and add this text there:

<?latex \theendnotes ?>


Next, create a xsl stylesheet file dblatex-endnotes.xsl to add the code needed to add the endnote instructions in the preamble of the generated LaTeX document, with content like this:

<?xml version='1.0'?>
<xsl:stylesheet xmlns:xsl="http://www.w3.org/1999/XSL/Transform" version='1.0'>
<xsl:param name="latex.begindocument">
<xsl:text>
\usepackage{endnotes}
\let\footnote=\endnote
\begin{document}
</xsl:text>
</xsl:param>
</xsl:stylesheet>


Finally, load this xsl file when running dblatex, for example like this:

dblatex --xsl-user=dblatex-endnotes.xsl freeculture.nb.xml


The end result can be seen on github, where my book project is located.

Tags: docbook, english, freeculture.
9th July 2015

I går fikk vi endelig lansert en norsk version av mySocietys WhatDoTheyKnow. Tjenesten heter Mimes brønn, og ble annonsert av NUUG via blogg, epost og twitter til NUUG-assosierte personer. Det har tatt noen år, men de siste dagene fikk vi endelig tid til å få på plass de siste bitene. Vi er to, Gorm og meg selv, som har vært primus motor for det hele, men vi har fått hjelp med oversettelser og oppsett fra mange flere. Jeg vil si tusen takk til hver og en av dem, og er veldig fornøyd med at vi klarte å få tjenesten opp å kjøre før ferietiden slo inn for fullt.

Vi er usikker på hvor mye belastning den virtuelle maskinen der tjenesten kjører klarer, så vi har lansert litt i det stille og ikke til for mange folk for å se hvordan maskinen klarer seg over sommeren, før vi går mer aktivt ut og annonserer til høsten. Ta en titt, og se om du kanskje har et spørsmål til det offentlige som er egnet å sende inn via Mimes brønn.

Hvis du lurer på hva i alle dager en slik tjenestes kan brukes til, anbefaler jeg deg å se TED-foredraget til Heather Brook om hvordan hun brukte WhatDoTheyKnow til å lære hvordan offentlige midler ble misbrukt. Det er en inspirerende historie.

Tags: norsk, nuug, offentlig innsyn.
7th July 2015

After asking the Norwegian Broadcasting Company (NRK) why they can broadcast and stream H.264 video without an agreement with the MPEG LA, I was wiser, but still confused. So I asked MPEG LA if their understanding matched that of NRK. As far as I can tell, it does not.

I started by asking for more information about the various licensing classes and what exactly is covered by the "Internet Broadcast AVC Video" class that NRK pointed me at to explain why NRK did not need a license for streaming H.264 video:

According to a MPEG LA press release dated 2010-02-02, there is no charge when using MPEG AVC/H.264 according to the terms of "Internet Broadcast AVC Video". I am trying to understand exactly what the terms of "Internet Broadcast AVC Video" is, and wondered if you could help me. What exactly is covered by these terms, and what is not?

The only source of more information I have been able to find is a PDF named AVC Patent Portfolio License Briefing, which states this about the fees:

• Where End User pays for AVC Video
• Subscription (not limited by title) – 100,000 or fewer subscribers/yr = no royalty; > 100,000 to 250,000 subscribers/yr = $25,000; >250,000 to 500,000 subscribers/yr =$50,000; >500,000 to 1M subscribers/yr = $75,000; >1M subscribers/yr =$100,000
• Title-by-Title - 12 minutes or less = no royalty; >12 minutes in length = lower of (a) 2% or (b) $0.02 per title • Where remuneration is from other sources • Free Television - (a) one-time$2,500 per transmission encoder or (b) annual fee starting at $2,500 for > 100,000 HH rising to maximum$10,000 for >1,000,000 HH
• Internet Broadcast AVC Video (not title-by-title, not subscription) – no royalty for life of the AVC Patent Portfolio License

Am I correct in assuming that the four categories listed is the categories used when selecting licensing terms, and that "Internet Broadcast AVC Video" is the category for things that do not fall into one of the other three categories? Can you point me to a good source explaining what is ment by "title-by-title" and "Free Television" in the license terms for AVC/H.264?

Will a web service providing H.264 encoded video content in a "video on demand" fashing similar to Youtube and Vimeo, where no subscription is required and no payment is required from end users to get access to the videos, fall under the terms of the "Internet Broadcast AVC Video", ie no royalty for life of the AVC Patent Portfolio license? Does it matter if some users are subscribed to get access to personalized services?

Note, this request and all answers will be published on the Internet.

The answer came quickly from Benjamin J. Myers, Licensing Associate with the MPEG LA:

Thank you for your message and for your interest in MPEG LA. We appreciate hearing from you and I will be happy to assist you.

As you are aware, MPEG LA offers our AVC Patent Portfolio License which provides coverage under patents that are essential for use of the AVC/H.264 Standard (MPEG-4 Part 10). Specifically, coverage is provided for end products and video content that make use of AVC/H.264 technology. Accordingly, the party offering such end products and video to End Users concludes the AVC License and is responsible for paying the applicable royalties.

On the other hand, if End Users pay for access to AVC Video for a specific period of time (e.g., one month, one year, etc.), then such video would constitute Subscription AVC Video. In cases where AVC Video is delivered to End Users on a pay-per-view basis, then such content would constitute Title-by-Title AVC Video. If a party offers Subscription or Title-by-Title AVC Video to End Users, then they would be responsible for paying the applicable royalties you noted below.

Finally, in the case where AVC Video is distributed for free through an "over-the-air, satellite and/or cable transmission", then such content would constitute Free Television AVC Video and would be subject to the applicable royalties.

For your reference, I have attached a .pdf copy of the AVC License. You will find the relevant sublicense information regarding AVC Video in Sections 2.2 through 2.5, and the corresponding royalties in Section 3.1.2 through 3.1.4. You will also find the definitions of Title-by-Title AVC Video, Subscription AVC Video, Free Television AVC Video, and Internet Broadcast AVC Video in Section 1 of the License. Please note that the electronic copy is provided for informational purposes only and cannot be used for execution.

I hope the above information is helpful. If you have additional questions or need further assistance with the AVC License, please feel free to contact me directly.

Having a fresh copy of the license text was useful, and knowing that the definition of Title-by-Title required payment per title made me aware that my earlier understanding of that phrase had been wrong. But I still had a few questions:

I have a small followup question. Would it be possible for me to get a license with MPEG LA even if there are no royalties to be paid? The reason I ask, is that some video related products have a copyright clause limiting their use without a license with MPEG LA. The clauses typically look similar to this:

This product is licensed under the AVC patent portfolio license for the personal and non-commercial use of a consumer to (a) encode video in compliance with the AVC standard ("AVC video") and/or (b) decode AVC video that was encoded by a consumer engaged in a personal and non-commercial activity and/or AVC video that was obtained from a video provider licensed to provide AVC video. No license is granted or shall be implied for any other use. additional information may be obtained from MPEG LA L.L.C.

It is unclear to me if this clause mean that I need to enter into an agreement with MPEG LA to use the product in question, even if there are no royalties to be paid to MPEG LA. I suspect it will differ depending on the jurisdiction, and mine is Norway. What is MPEG LAs view on this?

According to the answer, MPEG LA believe those using such tools for non-personal or commercial use need a license with them:

With regard to the Notice to Customers, I would like to begin by clarifying that the Notice from Section 7.1 of the AVC License reads:

THIS PRODUCT IS LICENSED UNDER THE AVC PATENT PORTFOLIO LICENSE FOR THE PERSONAL USE OF A CONSUMER OR OTHER USES IN WHICH IT DOES NOT RECEIVE REMUNERATION TO (i) ENCODE VIDEO IN COMPLIANCE WITH THE AVC STANDARD ("AVC VIDEO") AND/OR (ii) DECODE AVC VIDEO THAT WAS ENCODED BY A CONSUMER ENGAGED IN A PERSONAL ACTIVITY AND/OR WAS OBTAINED FROM A VIDEO PROVIDER LICENSED TO PROVIDE AVC VIDEO. NO LICENSE IS GRANTED OR SHALL BE IMPLIED FOR ANY OTHER USE. ADDITIONAL INFORMATION MAY BE OBTAINED FROM MPEG LA, L.L.C. SEE HTTP://WWW.MPEGLA.COM

The Notice to Customers is intended to inform End Users of the personal usage rights (for example, to watch video content) included with the product they purchased, and to encourage any party using the product for commercial purposes to contact MPEG LA in order to become licensed for such use (for example, when they use an AVC Product to deliver Title-by-Title, Subscription, Free Television or Internet Broadcast AVC Video to End Users, or to re-Sell a third party's AVC Product as their own branded AVC Product).

Therefore, if a party is to be licensed for its use of an AVC Product to Sell AVC Video on a Title-by-Title, Subscription, Free Television or Internet Broadcast basis, that party would need to conclude the AVC License, even in the case where no royalties were payable under the License. On the other hand, if that party (either a Consumer or business customer) simply uses an AVC Product for their own internal purposes and not for the commercial purposes referenced above, then such use would be included in the royalty paid for the AVC Products by the licensed supplier.

Finally, I note that our AVC License provides worldwide coverage in countries that have AVC Patent Portfolio Patents, including Norway.

I hope this clarification is helpful. If I may be of any further assistance, just let me know.

But one minor question at the end. If I understand you correctly, you state in the quote above that there are patents in the AVC Patent Portfolio that are valid in Norway. This make me believe I read the list available from <URL: http://www.mpegla.com/main/programs/AVC/Pages/PatentList.aspx > incorrectly, as I believed the "NO" prefix in front of patents were Norwegian patents, and the only one I could find under Mitsubishi Electric Corporation expired in 2012. Which patents are you referring to that are relevant for Norway?

Again, the quick answer explained how to read the list of patents in that list:

Your understanding is correct that the last AVC Patent Portfolio Patent in Norway expired on 21 October 2012. Therefore, where AVC Video is both made and Sold in Norway after that date, then no royalties would be payable for such AVC Video under the AVC License. With that said, our AVC License provides historic coverage for AVC Products and AVC Video that may have been manufactured or Sold before the last Norwegian AVC patent expired. I would also like to clarify that coverage is provided for the country of manufacture and the country of Sale that has active AVC Patent Portfolio Patents.

Therefore, if a party offers AVC Products or AVC Video for Sale in a country with active AVC Patent Portfolio Patents (for example, Sweden, Denmark, Finland, etc.), then that party would still need coverage under the AVC License even if such products or video are initially made in a country without active AVC Patent Portfolio Patents (for example, Norway). Similarly, a party would need to conclude the AVC License if they make AVC Products or AVC Video in a country with active AVC Patent Portfolio Patents, but eventually Sell such AVC Products or AVC Video in a country without active AVC Patent Portfolio Patents.

As far as I understand it, MPEG LA believe anyone using Adobe Premiere and other video related software with a H.264 distribution license need a license agreement with MPEG LA to use such tools for anything non-private or commercial, while it is OK to set up a Youtube-like service as long as no-one pays to get access to the content. I still have no clear idea how this applies to Norway, where none of the patents MPEG LA is licensing are valid. Will the copyright terms take precedence or can those terms be ignored because the patents are not valid in Norway?

Tags: english, h264, multimedia, opphavsrett, standard, video, web.
5th July 2015

Several people contacted me after my previous blog post about my need for a new laptop, and provided very useful feedback. I wish to thank every one of these. Several pointed me to the possibility of fixing my X230, and I am already in the process of getting Lenovo to do so thanks to the on site, next day support contract covering the machine. But the battery is almost useless (I expect to replace it with a non-official battery) and I do not expect the machine to live for many more years, so it is time to plan its replacement. If I did not have a support contract, it was suggested to find replacement parts using FrancEcrans, but it might present a language barrier as I do not understand French.

One tip I got was to use the Skinflint web service to compare laptop models. It seem to have more models available than prisjakt.no. Another tip I got from someone I know have similar keyboard preferences was that the HP EliteBook 840 keyboard is not very good, and this matches my experience with earlier EliteBook keyboards I tested. Because of this, I will not consider it any further.

When I wrote my blog post, I was not aware of Thinkpad X250, the newest Thinkpad X model. The keyboard reintroduces mouse buttons (which is missing from the X240), and is working fairly well with Debian Sid/Unstable according to Corsac.net. The reports I got on the keyboard quality are not consistent. Some say the keyboard is good, others say it is ok, while others say it is not very good. Those with experience from X41 and and X60 agree that the X250 keyboard is not as good as those trusty old laptops, and suggest I keep and fix my X230 instead of upgrading, or get a used X230 to replace it. I'm also told that the X250 lack leds for caps lock, disk activity and battery status, which is very convenient on my X230. I'm also told that the CPU fan is running very often, making it a bit noisy. In any case, the X250 do not work out of the box with Debian Stable/Jessie, one of my requirements.

I have also gotten a few vendor proposals, one was Pro-Star, another was Libreboot. The latter look very attractive to me.

Again, thank you all for the very useful feedback. It help a lot as I keep looking for a replacement.

Update 2015-07-06: I was recommended to check out the lapstore.de web shop for used laptops. They got several different old thinkpad X models, and provide one year warranty.

Tags: debian, english.
3rd July 2015

My primary work horse laptop is failing, and will need a replacement soon. The left 5 cm of the screen on my Thinkpad X230 started flickering yesterday, and I suspect the cause is a broken cable, as changing the angle of the screen some times get rid of the flickering.

My requirements have not really changed since I bought it, and is still as I described them in 2013. The last time I bought a laptop, I had good help from prisjakt.no where I could select at least a few of the requirements (mouse pin, wifi, weight) and go through the rest manually. Three button mouse and a good keyboard is not available as an option, and all the three laptop models proposed today (Thinkpad X240, HP EliteBook 820 G1 and G2) lack three mouse buttons). It is also unclear to me how good the keyboard on the HP EliteBooks are. I hope Lenovo have not messed up the keyboard, even if the quality and robustness in the X series have deteriorated since X41.

I wonder how I can find a sensible laptop when none of the options seem sensible to me? Are there better services around to search the set of available laptops for features? Please send me an email if you have suggestions.

Update 2015-07-23: I got a suggestion to check out the FSF list of endorsed hardware, which is useful background information.

Tags: debian, english.
2nd July 2015

Last oktober I was involved on behalf of NUUG with recording the talks at MakerCon Nordic, a conference for the Maker movement. Since then it has been the plan to publish the recordings on Frikanalen, which finally happened the last few days. A few talks are missing because the speakers asked the organizers to not publish them, but most of the talks are available. The talks are being broadcasted on RiksTV channel 50 and using multicast on Uninett, as well as being available from the Frikanalen web site. The unedited recordings are available on Youtube too.

This is the list of talks available at the moment. Visit the Frikanalen video pages to view them.

• Evolutionary algorithms as a design tool - from art to robotics (Kyrre Glette)
• Make and break (Hans Gerhard Meier)
• Making a one year school course for young makers (Olav Helland)
• Innovation Inspiration - IPR Databases as a Source of Inspiration (Hege Langlo)
• Making a toy for makers (Erik Torstensson)
• How to make 3D printer electronics (Elias Bakken)
• Hovering Clouds: Looking at online tool offerings for Product Design and 3D Printing (William Kempton)
• Travelling maker stories (Øyvind Nydal Dahl)
• Making the first Maker Faire in Sweden (Nils Olander)
• Breaking the mold: Printing 1000’s of parts (Espen Sivertsen)
• Ultimaker — and open source 3D printing (Erik de Bruijn)
• Autodesk’s 3D Printing Platform: Sparking innovation (Hilde Sevens)
• How Making is Changing the World – and How You Can Too! (Jennifer Turliuk)
• Open-Source Adventuring: OpenROV, OpenExplorer and the Future of Connected Exploration (David Lang)
• Making in Norway (Haakon Karlsen Jr., Graham Hayward and Jens Dyvik)
• The Impact of the Maker Movement (Mike Senese)

Part of the reason this took so long was that the scripts NUUG had to prepare a recording for publication were five years old and no longer worked with the current video processing tools (command line argument changes). In addition, we needed better audio normalization, which sent me on a detour to package bs1770gain for Debian. Now this is in place and it became a lot easier to publish NUUG videos on Frikanalen.

Tags: english, frikanalen, multimedia, video.

Created by Chronicle v4.6